Archives for category: Animation

Happy April Fools, everybody!

Anyways, Yes, sure, all of this isn’t always mine; yes, I or someone else made all of this up; and yes, this is all fake and it may or may not be lethally violent or even controversial for an April Fools Day faux news article or something like that, but believe it or not, here it is:

BEWARE THE DAUGHTERS OF AKU!

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(Image Credit belongs to verona7881.deviantart.com)

Reports of Assassin Cult Concern World Leaders

Saturday, April 1st, 2017 – Associated Press – New York, New York

World leaders are meeting at the United Nations today to combat what they see as a growing international issue. The assassin cult, The Daughters of Aku, have been committing more and more brazen acts of assassination across the world. Last night, it was reported that as many as 50 National Guard members were slain at the under-construction American-Mexican Border Wall near Brownsville, Texas. Experts are now saying that the group is likely responsible for this attack. Little is known about this group, but what is known has many leaders alarmed.

“It’s some kind of weird [expletive removed] cult that worships this ‘Aku'” says [name removed], host of the “[title removed]” podcast which has ran many stories on this group, “I know more about this group than almost all of the country, but what ‘Aku’ truly is has still eluded me and my listeners”

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Others, however, want far more action taken against this group.

“We landed a man on the Moon and now we can’t stop 7 women? Sad!” tweeted President Trump in response to what has appeared to be an ineffectual response to this group.

“How can we stop them? They came out of nowhere and just like that, half my unit was gone!” said Sergeant William Robert who was a witness to this attack, “All I know is that they’re looking for some guy named ‘Jack’. There’s millions of guys named Jack, are they going to kill them all until they find their Jack?”

A spokesman for the Department of Defense has stated that they are still investigating this attack and how these assassins managed to evade capture.

However, this event has alarmed many locals in Brownsville who are wondering how they can be safe.

“How can we trust our leaders to protect us when they can’t even stop these women?” said Juan Rodriguez, owner of the Border Cantina restaurant. Many others in Brownsville and around the world have the same question.

 APRIL FOOLS!

So, anyway, what do you think?

Hello again. I am back from Williamsburg, Virginia.

First of all, while I was vacationing at America’s Historic Triangle in Virginia (consisting of Jamestown, Williamsburg and Yorktown), I have conceived this idea of writing a big, epic fantasy novel based on and inspired by the cartoon Samurai Jack, one that would take Samurai Jack’s entire childhood, training around the world, and return home as an adult in the hopes of freeing his enslaved people and vanquishing the demon Aku before Aku himself sends Jack spiraling into the future that is Aku, recast it in modern literary prose language (and just like T.H. White have done with his masterful epic retelling of Arthurian legend, The Once and Future King), and retell Samurai Jack’s childhood, training and return home to try and free his enslaved people before Aku banishes the warrior into the future that is Aku for a whole new generation.

The title of my planned epic novel:

The Once And Future Samurai

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And the ‘Once And Future Samurai‘ of the title and in question shall be…

 

This child:

 

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Young Jack, to be exact!

My intention for The Once and Future Samurai is to track the epic life’s journey of Samurai Jack from his boyhood through his training ‘round the world among all manners of warriors and heroes to his return home as an adult to try to free his enslaved people and destroy Aku the Shogun of Sorrow, and ending at the point where Jack is about to strike the final death blow against Aku, at the point just before Aku tore open a portal in time and flung him into the future.

Anyway, I will begin my epic novel, The Once and Future Samurai, shortly after Samurai Jack was born at the end of The Birth of Evil Part II, when his father, the Emperor of Japan/Shanghara gather together the great leaders of the world’s many peoples where, in a great United Nations-type council meeting, they all devise a plan that will prepare The Emperor’s Son, the Once and Future Samurai of the title, for the ultimate battle against the ultimate evil that is Aku, in case Aku ever returns or gets his jailbreak.

Hopefully, in fleshing out the details in Samurai Jack’s childhood before Aku’s jailbreak, I hope to include…

Hmm. Let’s see…

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Oh! I Know!

His playing with the crickets and this girl:

 

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His encounter with none other than Lone Wolf and Cub:

 

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The lessons he learned from his father and mother, The Emperor and Empress of Japan/Shanghara:

 

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The time where he plays with his favorite ball…

 

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…and his thwarting of the three bullies who stole Young Jack’s ball:

 

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All was happy for Young Jack and his Japanese/Shangharan empire, until one day, when a solar eclipse brought about Aku’s jailbreak, so he can “smite the world like I had in days long past”.

And guess what will Aku bring with him in addition to his strange powers, don’t ya?

An army of swarthy barbarians from Astronoma, a land to the north of Shanghara, and their ruthless leader, Nam’Krad The Astronomean (which is backwards for Dexter’s Laboratory’s Mandark), who, offended by not being invited to the great United Nations-like council meeting held by Samurai Jack’s father, The Emperor, swears to conquer and invade Japan/Shanghara and the surrounding world in the name of Aku.

The Emperor’s soldiers fought bravely against Aku and Nam’Krad’s invading Astronomean forces but they cannot defeat Aku’s strange powers, not to mention, the explosives employed by the barbaric Astronomean invaders. And Aku also captured the Emperor before he could reached his magic sword.

But one hope remained.

The Emperor’s wife took the sword and Young Jack with her and left Japan/Shanghara to get away from the ensuing violence.

She hid the sword with a secret sect of monks in the cold recesses of Taipania and sent Young Jack ‘round the world to be trained as a samurai warrior among all manner of warriors and heroes from different cultures.

 

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Remember, Jack wears a special symbol around his neck that identifies him as the son of the Emperor of Japan/Shanghara, and somebody to be trusted, too!

 

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On a Japanese/Shangharan Junk, he learns Navigation/Astronomy:

 

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In the land of Elsharzar/Arabia, he learns horseback riding:

 

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In Harlorleanea/Africa, he learns stick fighting from the Zuli people:

 

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In Azigoria/Egypt, he learns how to read, write and translate hieroglyphics:

 

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In Athenodor/Greece, he learns wrestling:

 

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In the forests of Avaland/England, he learns archery from Locksley/Robin Hood, a Robin Hood-like man who is also a friend of Oliver, The Young Captain of Avaland:

 

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In Vargland/Scandinavia, he learns how to sail the high seas from the Varg People of the Northern Sea/Vikings:

 

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In Nevskia/Russia, He learns how to throw an axe at a target:

 

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In Tenjaland/Mongolia, he learns from the Ten’Jai/Mongols how to throw spears:

 

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And in Taipania/China, he learns martial arts from the Shaolin Monks:

 

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In all his travels, Jack grew from a boy into a man.

 

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He may have learned the basic skills of a samurai warrior, but he learned some extra skills as well. All the extra training helped Samurai Jack to become a well-rounded warrior—the only kind of warrior able to take on Aku.

After claiming the sword from his mother, he gathers a coalition of Avalish and Taipanean soldiers as well as the last surviving Shangharan samurai armies and together, they went to the shores of Shanghara and ride to glory against the Astronomeans led by Lord Nam’Krad, with Jack flying the Shangharan standard from a Taipanean Junk.

After losing Captain Oliver to Nam’Krad, after defeating Nam’Krad and the Astronomeans, after subduing Aku’s taskmasters, and after freeing the Emperor of Japan/Shanghara and his people, he challenged Aku:

 

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At the end of my novel, The Once And Future Samurai, Aku and Jack fought a spectacular battle.

And like I said, I shall end my epic novel/retelling of Samurai Jack’s boyhood and training at the very point Jack is about to destroy the demon with one last killin’ blow from his sword, at the very point just before Aku conjured up a time portal that sent Jack spiraling far into the future that is Aku:

 

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Aku: You might have beat me now, but I will destroy you in the future.

Jack: There is no future for you, Aku.

Aku: I disagree.

Like I said, Samurai Jack, to me, is, in question, the Once and Future Samurai refer to in the title of my book, and always will be, would he?

 

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Anyway, even as The Once and Future Samurai will chronicle the boyhood of Samurai Jack, his training around the world, and his return home to challenge Aku and his allies, the Astronomeans, and ending immediately before Aku flung him into the future that is Aku, one of the central themes in The Once and Future Samurai, is going to be an exploration of human nature.

For even though I shall admit the source of my book is the cartoon Samurai Jack (which is my all-time favorite) by Genndy Tartakovsky, I shall reinterpret the events taking Jack from his childhood through his training to his return home to challenge Aku before he sent him to the future, and I shall fill them all with renewed meaning even for a world waiting for dark precarious time to improve (especially in the post-9/11 age and especially in the Great Recession) and especially for a whole new generation of fans of Genndy Tartakovsky and Samurai Jack.

And I shall give the characters in The Once and Future Samurai motivations or traits more complex or even contradictory to those on Samurai Jack the cartoon show.

And I would like to allow Genndy Tartakovsky himself to have a cameo appearance at the end of my Once And Future Samurai book. I will also like to treat the historical characters as mythological or fictional within the world I create for the Once and Future Samurai.

I shall also incorporate not only anachronistic allusions to the past (i.e., dinosaurs, etc.), but also those to events in more recent times (like 9/11, the actions of James Holmes, Adam Lanza or Elliot Rodgers, etc.).

Just like in T.H. White’s The Once And Future King, would it?

 

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Gee, Talk about ‘anachronism stew’ over here! HA HA HA HA!

Anyway, what would you think of The Once And Future Samurai, my epic novel/retelling/chronicle of Samurai Jack’s childhood, training and return home to free his enslaved people and challenge Aku before the demon sends the Samurai into the future? And what would you think of all the things I wanted to incorporate into The Once And Future Samurai?

 

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Dexter's Odyssey poster design without taglines by timbox129

I still don’t know if you’ve heard about this or not but I thought you might be interested.

Anyway, the 12 things as mandated by my edict for what I wanted and envisioned for Dexter’s Odyssey—my planned Genndy Tartakovsky/Dexter’s Laboratory Cartoon Network characters n’ dinosaurs epic—are as follows:

1) FOR THE DEXTER’S LABORATORY CARTOON CHARACTERS, YOU MUST STICK TO THE CHARACTER DESIGNS AND ANIMATION ART STYLE DONE FOR DEXTER’S LABORATORY’S ORIGINAL 1990s RUN

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I understand the fact that the last two seasons of Dexter’s Laboratory weren’t as good as the show’s original 1990s run, but for the character designs and 2D animation art style for the Dexter’s Laboratory characters to be included in Dexter’s Odyssey (like Dexter, Dee Dee, Mee Mee, Lee Lee, Mandark, Action Hank and Dexter and Dee Dee’s Mom and Dad), just stick to those from the 1990s run of Dexter’s Lab, not those from the 2001-2003 revival.

 2) NO OUTLINES FOR THE SAMURAI JACK-STYLE CHARACTERS, BUT RETAIN THE OUTLINES FOR THE DEXTER’S LAB-STYLE CHARACTERS

Even if the 2D traditional and largely hand drawn animated toon characters in Dexter’s Odyssey should be put in an otherwise live action world alongside mainly CGI dinosaurs and real life flesh and blood human performers, there must be a contrast between those from or in the character design and animation art style of Dexter’s Lab (the original 1990s run, at least) and those from in the character design and animation art style of Samurai Jack.

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I suggest no thick black surrounding outlines for the Samurai Jack-style toon characters, but retain the thick, black, surrounding outlines for the Dexter’s Laboratory-style toon characters.

3) ONLY ONE CHARACTER OR CREATURE SHOULD GET THE REALLY BIG CHARACTER PART AND/OR TAKE A REAL HERO’S JOURNEY THE MOST IN DEXTER’S ODYSSEY

Well, I suggest the Asian friend of Dexter’s sister Dee Dee: Lee Lee, to be exact.

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Even though Dexter’s Odyssey may be titled after Dexter the boy genius himself, Dexter’s Odyssey should focus for the most part on his sister Dee Dee’s Asian Friend Lee Lee and her mythic and epic ‘hero’s journey’ and not just Dexter and Dee Dee themselves feuding!

4) THE DINOSAURS IN DEXTER’S ODYSSEY SHOULD NOT LOOK OR SOUND LIKE THOSE FROM THE JURASSIC PARK FRANCHISE

For too long, all films and video games that have happened to feature dinosaurs, have, without exception, contained conscious nods to the Jurassic Park franchise—whether it’s visual or auditorial.

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Dexter’s Odyssey’s dinosaur scenes should contain little or no conscious nod—whether be they visual, auditory or narrative—to the Jurassic Park franchise.

Instead of the usual scaly reptilian and featherless representations of dinosaurs like the Velociraptors in Jurassic Park, there should be more bird-like and feathery dinosaur representations like this dinosaur:

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There should be beautifully rendered feathers, plus some recently discovered dinosaurs that we never see restored before, as well as a respect for dinosaurs that does not always treat them as mindless movie monsters or just kids stuff all the time, y’know what I’m saying?

Also, There should be no doubt that Dexter’s Odyssey would “reinvent big dinosaur adventure entirely”. Rather than getting bogged down in endless rewrites and development hell like what would become Jurassic World (coming in 2015, perhaps), it should provide a fresh new look at dinosaurs by doing something not done well since Who Framed Roger Rabbit (unless Space Jam and Looney Tunes Back In Action are counted) by combining live action and animation as well as dinosaurs.

But dinosaurs aren’t just seen, of course, they are heard, and one practice that has endured since the early days of sound movies is the use of real animal noises in the creation of the roars of fantasy creatures including dinosaurs, for example:

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Murray Spivack manipulated lion and tiger vocalizations for the original King Kong movie; The late Ray Harryhausen employed the sound of a slobbering camel for the Valley of Gwangi; And Gary Rydstrom incorporated a baby elephant trumpet into the mighty roar of the Tyrannosaurus Rex for Jurassic Park.

If I hire somebody who is a sound designer or sound editor to continue this time-proven technique on the big screen for Dexter’s Odyssey, I and that person should live within that world, but have to make sure that the dinosaur sounds should sound different than the dinosaur sounds of Jurassic Park.

But at least I wanted some of the larger theropod dinosaurs in the story such as the infamous T. Rex to stand-in for the dragons of myth, legend and lore. Just kidding!

5) THE MUSIC SCORE FOR DEXTER’S ODYSSEY SHOULD SOUND AS EPIC, CINEMATIC, AND ETHNIC AS POSSIBLE

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And I mean it.

The score for Dexter’s Odyssey should be this unusual and bizzare blend of epic and cinematic music, some bits of toon music (for Dexter’s Odyssey’s more comedic moments) and ethnic instrumental and ethnic vocal musical sounds from all around the world.

Sorta like the music for The Lion King, right?

6) NO FART OR EXCRETION JOKES!

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Since it is supposed to be an epic movie project, replete with raging epic battles, serious/controversial subject matter and all, you must leave the toilet humor to something else entirely.

7) HAVE A GREAT EPIC, CINEMATIC AND ETHNIC MUSICAL SENSE IN THE SCORE, AS LONG AS IT MUST HAVE APPROPRIATE MULTI-CULTURAL MUSICAL INFLUENCES AND MUSICAL CULTURAL ASSOCIATION

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Not every piece of music in Dexter’s Odyssey has to succumb to a bad hip hop tune. This isn’t a The Lonely Island sketch you’re producing. This is a live action/animated epic film project that contains a diverse network of cultures that are different than one another, despite being in an alternate world where toons, humans, and dinosaurs live, so be more appropriate and more subtle with the multi-cultural kinds of music you’re choosing—whether it’s from Europe, or from Africa or from the Far East.

8) ALLOW DEPTH IN THE CHARACTERS—HUMAN OR CARTOON; NO FLANDERIZATION NOR JUMPING THE SHARK 

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Let the characters have more colors to them than just pink or green or purple or blue or black or red. Subtlety is your friend.

9) POP-CULTURAL REFERENCES NEEDS CONTEXT, NOT RANDOMNESS

 

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Even if Dexter’s Odyssey is an epic film project with raging battles, sweeping camera movements, rousing rescues and intense close-ups, Do NOT put in pop-cultural references just for the sake of pop-cultural references. They need purpose other than selling out something.

10) USE FEW OR NO CELEBRITY VOICES FOR THE TOONS

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Seriously, I will not over-rely on using Hollywood celebrities for the voices of the toon characters in Dexter’s Odyssey, I mostly wanted Dexter’s Lab and Samurai Jack toon voices that should sound just like the originals but provided by actors who can go with the occasional comedy or drama.

11) THE LIVE ACTORS SHOULD CLEARLY INTERACT WITH THE HAND-DRAWN AND/OR CGI ANIMATION, ESTABLISH EYE LINES AND BE CONSISTENTLY INVOLVED WITH ACTION THAT ISN’T TAKING PLACE AT THE TIME OF LIVE ACTION FILMING

 

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These are the three conditions that Dexter’s Odyssey’s live actors—since they may especially be relative unknowns and non-professional no-names (some of them possibly from high school drama clubs and other youth programs) should follow under, but nonetheless I shall allow even those non-professional no name and relative unknown live actors to improvise their dialogue.

and finally,

12) DO NOT OVER-RELY ON CGI FOR ITS SPECIAL AND VISUAL EFFECTS AND/OR MOVIE-MAKING IN GENERAL

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I know debate is still raging over whether computer generated effects are better than those done practically or if you and I can truly beat the real thing, but Dexter’s Odyssey should provide room for all manner of special effects in the cinema. It should combine not only live action and traditional 2D hand drawn Genndy Tartakovsky-style animation but also cutting edge digital graphics, miniatures, animatronics, prosthetics and makeup and/or even plain old visual trickery. If it is magical, it should go in the movie, whether it shall spring from a hard-drive or from a 2D animator’s pencil, or shall take a team of dedicated artists months to create. Dexter’s Odyssey should be an equal opportunities live action/animation/special effects event.

Again, you and I don’t want to be too judgmental, but what do you think?

Speaking of heroes and heroines whose origins are from farther east, I would like to share with you all this Asian heroine and this Asian hero, respectively:

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Mulan comforts Mushu at the end of her movie

 

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A) Mulan, or she who is as mighty, brave and noble as a warrior, as she is young, fair and beautiful as a maiden, and whose story—a story that is as much well known familiar to the peoples of all Asia (including the people of her indigenous China) as the story of Cinderella is much well known and familiar to the peoples of Europe and the United States—provided the basis for a hand drawn Disney movie from 16 years ago.

and

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B) Samurai Jack, or he who is my kind of guy, a time-displaced warrior swordsman prince of Medieval Japan, my cartoon hero, my favorite cartoon samurai as well as my main Asian man (if only AVATAR’s Jake Sully (Sam Worthington) counts as ‘my main blue man’) and he who wants to go back to his own time and place so he can do the killin’ blow to the evil shape shifting demon wizard Aku, the Master of Masters, Deliverer of Darkness, and Shogun or Sorrow, or whatever Aku’s self-proclaimed titles are…

Anyway, speaking of Samurai Jack:

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When he was a little kid, when Aku got his jailbreak thanks to an eclipse, he got send around the world by his mom and dad to train among all manner of warriors. And when he return to his home as a fully grown adult, after a battle between him and Aku’s taskmasters, Jack challenges Aku to an epic duel in the hope of undoing the damage Aku has wrought upon his home, but that was before Aku gave Jack the boot to the future that is AKU!

If we will never, ever possibly get a proper ending for Samurai Jack from Genndy Tartakovsky himself, then too bad, but just like Jack who swears to god not to give up on his quest to find the time portal and go back to his own time and place so he can finally do the killin’ blow to Aku and his future world, Genndy Tartakovsky will never, EVER give up on a big screen Samurai Jack movie that will possibly feature the long promised proper ending to the show.

And if the big screen Samurai Jack feature film project might ever become a reality, an actuality as well as a fact, I certainly  hope that even in its ultimate form, the big screen Samurai Jack feature film project might end up not only succeeding where non-Disney 2D hand drawn animated things such as The Powerpuff Girls Movie failed to do, but also fulfilling a rare, never-before-done wish for any animated movie of the non-Disney variety and especially of the hand-drawn variety: becoming hopefully one of the most popular and successful movies of all time (be it live action, animated, Disney, Not-Disney, Hand Drawn, CGI, or otherwise) , let alone drawing record crowds and hopefully eclipsing the likes of The Lion King, the Shrek and Toy Story films, or even Disney’s Frozen or so as one of, or if not, the animation industry’s biggest and most phenomenal financial success or so.

But for now, I am just kidding.

Anyway, as for the legendary Chinese female warrior Mulan…

The Two Destinys of Mulan

 

Most Americans will forever remember Mulan through Disney’s interpretation of her story.

I, for one, did not think a woman like—and such as—the legendary Mulan—could be THAT mighty, brave and noble as a warrior when she is THAT young, fair and beautiful as a maiden…

Again, I never, ever think a woman—especially one from farther east like the aforementioned Mulan—could be as mighty, brave and noble as a warrior as she is young, fair and beautiful as a maiden.

That, again, is just my two cents.

One more thing.

I would also quote from the Emperor of China whom Mulan saves from the villainous Shan-Yu and the Mongols (or Huns, as the Disney movie refer to them):

“I’ve heard a great deal about you, Fa Mulan.

You stole your father’s armor,

ran away from home,

impersonated a soldier,

deceived your commanding officer,

dishonored the Chinese Army,

destroyed my palace,

and you have saved us all.”

Anyway, I am asking you all this:

What are the differences between Mulan and Samurai Jack? And what are the similarities, or comparison and contrast , if you will, between Samurai Jack and Mulan?

I know it’s four months early, but…

In August 2003–nearly 10 years ago, perhaps–a two-part episode of Samurai Jack by Genndy Tartakovsky, creator of Dexter’s Laboratory and future director of Hotel Transylvania, aired on Cartoon Network. The following year, it won a Primetime Emmy for Outstanding Animated Program, no less.

It is basically a prequel to the Premiere Movie, and it is something that explains the origins of the evil shape-shifting demon wizard Aku, as well as the origins of Samurai Jack’s magic sword, and how Samurai Jack’s dad, The Emperor of Japan, fought Aku and eventually brought about Aku’s ‘jailtime’ by locking up Aku’s remains and demon forces deep in the earth with the magic sword–so that Aku’s tree-like ‘jailhouse’ could stick out admist the damage that the Shogun of Sorrow has wrought. And it ended with the birth of Samurai Jack, my most favorite cartoon samurai warrior of all time.

That two-part Samurai Jack episode I’m talking about is called “The Birth of Evil”.

Again, I know it’s four months early, but I have done two things in preparation for the 10th anniversary of Samurai Jack: The Birth of Evil Parts one and two.

First off, I have done two versions of a fanmade Photoshop collage tribute poster that I had done for that two-part Emmy Award-winning Samurai Jack episode that is Birth of Evil:

Samurai Jack Birth of Evil Fanmade Triburte Photoshop Collage Poster by Timbox Timbox's Fanmade Tribute to Samurai Jack Birth of Evil

Secondly,  If you who have seen and/or remembered seeing Samurai Jack and/or its Emmy Award-winning two-parter Birth of Evil have any comment, you could talk and/or reminiscence about this show and/or Birth of Evil on the comment page below.

And so, here is my question:

Do you remember the two-part Emmy Award-winning Samurai Jack episode Birth of Evil? Do you like it or not? What is your favorite part(s) from Birth of Evil?

Well, what’s your word or review on Birth of Evil, the two-part Emmy Award-winning Samurai Jack episode that I’m talking about?

Hey ladies and gentlemen! Guess what I found?
THESE!!!
There are some preliminary sketches done for my most favorite action cartoon of all time—Samurai Jack:

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There are also storyboards for Aku’s opening attack on Jack’s village at the beginning of Samurai Jack:

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And last but not least, 10 model sheets/episode/character designs from the first half hour part of the premiere movie:

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And where did I found them, you may ask?

Well, I have found them last night at the Internet Archive’s Wayback Machine archive cache for the Samurai Jack page at Cartoon Network.com’s now-defunct Department of Cartoons webpage, of course.

And someday, folks, I am going to be famous for my love of cartoons, especially the work of Genndy Tartakovsky like Samurai Jack. And someday, my fame and fortune will grow to worldwide/international proportions on account and strength of what I’m hoping for the most complete Samurai Jack behind-the-scenes art collection ever compiled and assembled, and by no means imaginable—one which will take the form of a multi-volume series of lavishly illustrated Samurai Jack coffee-table art books (in print, digital interactive ebook or both forms) or a major traveling art gallery show exhibit showcase, perhaps—The Art of Samurai Jack: An Epic Behind-The-Scenes Celebration of Genndy Tartakovsky’s epic action cartoon series Samurai Jack, no less.

So, what do you think?

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Speaking of any upcoming home media release of the 1990s children’s cartoon series Dexter’s Laboratory, whether it’s on DVD, BluRay or any future format, what I was always proposing all the time is always this:

A) A definitive, first-class special edition home media release of Dexter’s Laboratory—something along the possible lines of a “Criterion Collection” for animation on home video—this time, on BluRay, and with dazzling high definition clarity (and quality) and the purest digital sound imaginable on the planet, as well as being done at the highest level.

B) Something that collects every single one in the whole, entire franchise of Dexter’s Laboratory (including the Ego Trip TV movie, Dexter’s Rude Removal (with censored and/or uncensored track(s)),  and even the infamous banned Dial M For Monkey segment known as “Barbequor”, and apart from my proposed dinosaur-infused Dexter’s Laboratory reboot and epic blockbuster movie project that is “Dexter’s Odyssey”) as well as preserving, restoring, and remastering  all the original pre-Ego Trip run plus Ego Trip in their original unaltered broadcast glory, as well as in 1080p HD and in excellent high quality and with maximum bit-rate encoding, as well as, in addition to the original 2.0 stereo broadcast audio mixes, all new 7.1 DTS-HD Master Audio remixes for the best and highest-quality A/V presentations imaginable.

C) Something that, even for an obscure 1990s kids cartoon that gained a small cult following, might also contain the most comprehensive collection of supplemental materials (and not to mention, materials not yet seen before) ever assembled (and by no means imaginable) for any film, any series of films, or any TV show, whether be they live action, animated, or a blend of both.

And

D) Something that might not only be aimed at fans of Dexter’s Lab and Classic Cartoon Network in general, but also the collector, and especially in ways that even previous home media releases of especially Cartoon Network’s more classical show (including that of Dexter’s Laboratory) never were.

While the last two seasons of Dexter’s Lab might well likely get 1080p HD transfer taken directly from the digital source, all of the original pre-Ego Trip Dexter’s Lab stuff plus Ego Trip itself might also undergo a massive restoration process in order for all that to be fit for a definitive, first-class high definition presentation on BluRay.

And in order to give all the pre-Ego Trip stuff in Dexter’s Lab and Ego Trip itself a very, very, VERY FRESH lick of paint in the very form of a massive, frame-by-frame digital restoration  that might even bring the colors back to life and in their original unaltered broadcast glory, all without even the side effects of, say, DVNR, reinsert the infamous banned Dial M For Monkey segment Barbequor right where it always should have been (at least in the fourth Season One half-hour, and right between Double Trouble and the very first Dexter’s Laboratory pilot episode known as “Changes”),  and even give the dialogue/voices, music and sound effects a whole new outstanding punch by way of remixed, outstanding and super-separated 7.1 DTS sound mixes that places you right in the middle of the hilarious chaos in a particular Dexter’s Lab episode and will have you convinced Dexter is yelling “Dee Dee! Get out of my laboratory!!” or something like that right from your living room, in addition to the original 2.0 stereo broadcast audio mixes, to say the least…

They will most likely have no choice but to go back to the original sources, and re-edit and reassemble all that pre-Ego Trip Dexter’s Lab stuff plus the Ego Trip movie itself together from scratch.

For example, each and every single one in the original pre-Ego Trip run of Dexter’s Lab (back when Genndy Tartakovsky was the show runner) and Ego Trip itself will have to be cleaned up and reassembled frame-by-frame from the original film elements all without even the side effects of DVNR, the dialogue/voice tracks as well as the music tracks had to be reinserted and a lot of the sound effects had to be completely redone to fit the show’s 7.1 DTS remixes, etc.

And this will mean a lot of time and a lot of money, probably more time and money than has ever been spent to bring something that is animated, used to air on TV during the obscure yet (to those who are children of the 90s at the time) simple and happy time before the 9/11 attacks in 2001, and have garnered a small cult following, to home video, had to be spent in order to make such a release happen.

But at least I wanted such a BluRay release of Dexter’s Lab to be among the best BluRay sets of all time (alongside even the Alien Anthology BluRay box set, to say the least), whether it’s for a movie, or whether it’s for a TV series, or whether it’s for a series of films, and whether they’re animated, live action, or a fusion of both.

Sorry it is a long post, but that’s what I’ve always proposed for any upcoming home media release of a cartoon like Dexter’s Laboratory all the time, whether it’s on DVD, BluRay, or any future format.